// For literary agencies

AI runs the rights desk.
You keep the authors.

The catalogue, the contracts, the royalty statements, the submissions: the admin that buries an agency lives in one shared brain that knows every deal you've ever made. Agents do the part only they can: the taste, the relationships, the next book.

// The Strategic Failure

Your catalogue remembers more than your agency does.

An agency's real asset isn't the office. It's the years of who bought what, on what terms, in which territory, and what's free again now. Most of that lives in one person's memory, and memory leaves.

01

// The Memory That Walks Out

Thirty years of deals. One person.

Your senior agent knows which titles reverted, which options lapsed, which territories are still open, and what an author was promised in a side letter in 2009. None of it is written where anyone else can reach it. The day they retire, the catalogue is still on the shelf, but the knowledge of how to sell it walks out with them.

The backlist stayed. The memory didn't.

02

// The Statement Pile

Every publisher. A different format.

Royalty statements arrive in a dozen layouts and several currencies. Someone opens each one, finds the amount due, splits it across the author, the co-agent and the house, and keys it into a spreadsheet by hand. A wrong split surfaces months later, in an email from an author who did the math.

The numbers were always there. Just never reconciled.

03

// The Right Sold Twice

"Are German rights still open?"

An editor asks at the fair. The agent answers from memory: yes. But German translation was optioned eighteen months ago and never logged where it counts. The deal gets offered, the conflict surfaces in due diligence, and the agency spends the relationship capital it took years to build.

One confident answer. One contract that should never have existed.

Every
format at once: audio, film, translation, serial. A single title can carry a dozen live rights
Decades
of backlist deals, most of it remembered by one person
0
margin for a right confirmed open when it was already optioned

// The False Fix

A spreadsheet is not a memory.

So you built the rights grid. A master spreadsheet, colour-coded, painstakingly maintained, by whoever remembers to update it. It tells you what was true the last time someone touched the cell. It can't read the contract, can't reconcile the statement, can't answer the editor at the fair. It's a snapshot of a memory, not the memory itself.

Every agency has one. Every agency has watched it drift out of date.

// The Solution

One brain for the whole list.

Contracts, statements, submissions, rights guides: read together, kept current, answered in plain language.
No migration. Your files stay where they are.

  1. 01

    Connect the catalogue.

    Contracts, royalty statements, submission logs, rights guides, author correspondence. Drive, SharePoint, Notion, email. Everything flows in. Nothing has to move.

  2. 02

    Configure the Ekos.

    One Eko for rights, one for royalties, one for contracts, or one per imprint, per territory, per author. The same scope and the same confidentiality as the people who do the work.

  3. 03

    One desk.

    Agents stop hunting through folders. They ask (what reverted, what's open in Spain, what did this statement actually pay the author) and get an answer drawn from what's signed.

// Use cases

One brain. The whole agency.

The same catalogue, answering whichever desk is asking.

01

Rights & sales

// TODAY

Availability lives in heads and a spreadsheet. Before every fair, someone rebuilds the list of what's open by hand, hoping nothing was optioned since.

// WITH EKORY

Ask what's available in any territory or format and get an answer traced to the contracts. The rights grid is the brain, not a tab someone forgot to update.

02

Royalties & statements

// TODAY

Statements arrive in every format and currency. Each one is opened, read, split across author and co-agent, and keyed in by hand. Errors surface months later.

// WITH EKORY

Statements are read as they arrive, whatever the layout. Amounts are reconciled and split per beneficiary. What can't be matched is flagged, not guessed.

03

Contracts & options

// TODAY

The option clause, the reversion date, the sub-agent split: all of it is somewhere in a PDF, in a folder, named by whoever filed it. Checking a term means a hunt.

// WITH EKORY

Ask the term and get the clause, from the signed contract, with the date. Reversions and lapsing options surface before they cost you, not after.

04

Submissions & editors

// TODAY

Who has the manuscript, who passed, who's still reading: it's in one agent's inbox and head. Coverage and editor preferences get rebuilt from scratch each round.

// WITH EKORY

One memory of who saw what, who said what, and what each editor actually buys. New submissions start from everything the agency has already learned.

05

Book fair prep

// TODAY

Rights guides are rebuilt every season. Availability, pitches, deal history: assembled by hand under deadline, the week before Frankfurt or Bologna.

// WITH EKORY

The guide drafts itself from the catalogue (what's open, what sold where, the pitch in your house voice) ready to refine, not assemble from zero.

06

Backlist & catalogue memory

// TODAY

The backlist's value is locked in the senior agent's memory. When they leave, the list stays and the knowledge of how to sell it goes with them.

// WITH EKORY

Every deal, every reversion, every promise is in a brain the whole agency shares. The backlist keeps earning, whoever is sitting at the desk.

// Governance

Share the catalogue, not the secrets.

Advances, statements, side letters: scoped to who should see them. Per-author isolation. Co-agent splits visible only where they belong.
The catalogue is shared. The confidences are not.

GDPRSAML / SSOEU hostingPer-author visibilityPrivate chatsNo-download viewer

// The discipline

The most valuable thing it does is refuse.

A rights answer that's confidently wrong is a liability: a right offered twice, an advance miscalculated, an author misquoted. ekory won't confirm a right it can't trace to a signed contract, won't reconcile a statement line it can't match, won't fill a gap with a guess. When it isn't sure, it says so, and shows you where to look. In a business built on trust, refusing to invent is the feature.

// The two things nobody else does

TRUSTED USER

The agent corrects the record.

In a private chatbot, you can tell it "remember this", and only your screen knows.

In ekory, the people who own the relationship correct the brain in chat.

A reversion, a new option, a side letter: logged once.

Live for every agent. Across every Eko. Immediately.

Eko Rights
Giulia R. · Foreign rights

Correction: world Spanish on the Conti title reverted to the author in January. It's open again, we can sell it.

Eko Rights

Got it. Spanish (world) on the Conti title now reads open, reverted January 2026. Every Eko in the agency will use this.

Live across the agency · Active in every Eko · Updated 0.4s ago

// Above the spreadsheet. Above the grid. The agent closest to the deal decides what's true.

SUPEREKO

SuperEko: your reach, at your speed.

Ekos are scoped to a title, a territory, a desk.

Your SuperEko is scoped to you: your permissions, your authors, your files.

It preps the fair while you're still on the call. Never reaching past what you're allowed to see.

SuperEko
Marta R. · Agent

Frankfurt in two weeks. For the Bianchi novel, pull what's still open by territory, the deal history, and draft a one-page pitch in our voice. Put it in a new folder called Bianchi_FBM.

SuperEko

On it. Checking the contracts and the rights grid.

  • Browsed Eko Contracts OK world rights held, 9 territories sold
  • Browsed Rights grid OK German optioned 2024, French open
  • Browsed Royalties OK Italian edition earning out
  • 18 seconds...
  • One-pager ready
  • Folder Bianchi_FBM created
  • New file Bianchi-FBM-pitch-draft saved

Open in several territories, the pitch leads with:

  1. The Italian edition earning out ahead of schedule
  2. The film option signed in March
  3. Comparable titles that sold strongly at the last fair
3 sources synthesised · 1 one-pager drafted · 18s

// Same permissions. Same authors. Same accountability. One avatar per agent, never broader than the agent it stands in for.

// FAQ

Questions agencies ask first.

Every publisher sends statements in a different format. Can it really read them?

Yes. Statements are read as they arrive, whatever the layout or currency. Amounts are reconciled and split per beneficiary; anything it can't match is flagged for a human, not guessed.

Can it keep author advances and statements confidential between agents?

Yes. Visibility is per-author and per-client. The catalogue is shared; advances, side letters and splits stay scoped to who should see them.

Do we have to migrate the catalogue or change tools?

No migration. ekory connects to where your contracts and statements already live (Drive, SharePoint, Notion, email) and reads them in place.

How fast can we see it working on our own list?

We build a working Eko on your real materials within one business day. You use it with your team for two weeks, then decide. No commitment, no migration.

Your backlist is an asset.
Stop keeping it in one person's head.

We'll take your contracts and statements, build a working Eko on your real list in a day, and show you side by side what changes. No migration. Just proof.

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